You don't have to be a millionaire to collect good artwork. The pieces you choose may not be old masters, but if they are originals in good condition by interesting artists, your investment may increase in value over time. This being the case, you want to preserve the work carefully to avoid damage and deterioration. There are simple steps any collector can take to minimize the need for the art restoration New Jersey craftsmen provide.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
Restorers hate to see artwork on paper come into their shops with mats glued or taped to them. This can cause serious harm to a nice piece, and it is something easily avoided. Professionals warn purchasers of loose pieces not to mount them to mats in any way. Instead they should be hinged to the back mats. Artwork is extremely susceptible to sunlight. Art on paper, such as watercolor, is delicate and will easily fade without protection.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Oil and acrylic on canvas are generally sturdier than artwork on paper, but a lot of the same rules apply. Direct sunlight will cause paint to fade. Since these works are not preserved behind glass, dust and dirt can become ingrained in the canvas. It is usually a good idea to leave paintings in their original frames. You may not like the style, but if it is what the artist chose, there was a reason for it.
One of the easiest ways to damage a piece of art is by using inferior materials to hang it. Paintings that are not properly secured to a wall can fall, which may cause significant damage. It is not a good idea to purchase standard frames that have either metal fasteners or string for hanging purposes. You need wire stretched across the back of the frame secured with d-rings.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
It is very easy to knock over free standing art objects. If they are fixed to a sturdy base, they may have some protection, but it is an even better idea to keep them in an area of low traffic. Large rooms are the best place for statues, vases, ceramics, and other free standing art.
Art collectors usually know how to preserve their pieces. Sometimes they find great work they are willing to have restored however. Once that process is complete, conserving them for future generations can begin.
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