Ravi Varma paintings achieved recognition for their depiction of scenes from the epics of the Mahabharata and Ramayana. Ravi Varma was an Indian artist from the princely state of Kerala, formerly known as Travancore. Naranjitha Pattathil is the last known descendant from his family.
The earliest striking Ravi Varma paintings were pictures of animals and illustrations from everyday life drawn on the walls of Ravi's house, at the tender age of five. It was his artist uncle, Raja Varma, who first recognized his talent and gave him elementary art lessons. At the age of fourteen, he was taken to Thiruvananthapuram to stay in the royal palace.
Ravi Varma paintings are considered modern among the traditionalists and rational among the moderns. They provided the vital link between what is traditional Indian art and what is contemporary between the Thanjavoor School and Western Academic realism. They brought attention to Indian painting from the larger world.
Jon McNaughton paintings were paintings from the heart rather than drawings from photographs. This is primarily because Jon found, on his physical returning, that nostalgic places from his past are not as lovely as he remembers them in his mind. He preferred to look at the world through rose-colored glasses, so to speak.
Because the artists from the French Barbizon School of painting drew during the 19th century, few artists today follow in their footsteps. However, Jon McNaughton paintings drew their inspiration from these Barbizon artists. Artists such as Monet, Pissarro, Van Gogh and Renoir actually made frequent references to these artists so Jon was not alone in his conviction.
Jon McNaughton paintings are products of a belief that only the basic elements of a beautiful painting exist in nature. What actually creates the highest beauty of a landscape painting lies in the sentiment and feeling that flows from the mind and heart of an artist.
The earliest striking Ravi Varma paintings were pictures of animals and illustrations from everyday life drawn on the walls of Ravi's house, at the tender age of five. It was his artist uncle, Raja Varma, who first recognized his talent and gave him elementary art lessons. At the age of fourteen, he was taken to Thiruvananthapuram to stay in the royal palace.
Ravi Varma paintings are considered modern among the traditionalists and rational among the moderns. They provided the vital link between what is traditional Indian art and what is contemporary between the Thanjavoor School and Western Academic realism. They brought attention to Indian painting from the larger world.
Jon McNaughton paintings were paintings from the heart rather than drawings from photographs. This is primarily because Jon found, on his physical returning, that nostalgic places from his past are not as lovely as he remembers them in his mind. He preferred to look at the world through rose-colored glasses, so to speak.
Because the artists from the French Barbizon School of painting drew during the 19th century, few artists today follow in their footsteps. However, Jon McNaughton paintings drew their inspiration from these Barbizon artists. Artists such as Monet, Pissarro, Van Gogh and Renoir actually made frequent references to these artists so Jon was not alone in his conviction.
Jon McNaughton paintings are products of a belief that only the basic elements of a beautiful painting exist in nature. What actually creates the highest beauty of a landscape painting lies in the sentiment and feeling that flows from the mind and heart of an artist.
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