Monday 28 July 2014

Abcs Of Hip Hop Producers And The History Of Hip Hop

By Jeff L. Robertson


Hip Hop is not just a form of music, but a culture that originated among the African-American residents of New York in the early 1970s. A decade later, it attracted the attention of large parts of the U. S. Population. By the early 90s, the music genre had spread around the world. The Hip Hop producers in Los Angeles face a very competitive environment, where musicians fight for status by exercising five basic components. Hip Hop is not in the classical sense, a culture, but a subculture.



Since the late 1990s hip hop has gradually turned into a prominent part of the music industry, and by the middle of the first decade of this century, the subculture has become fashionable and mainstream. It is divided into a plurality of directions. Each trend independent enough to carry its own meaning.

Graffiti - spraying on walls, trains and everything else. Behind it there is often a philosophy that if the streets can be filled with graffiti and other junk, you fill it with art. Beat Boxing - performing instrumental music beats with the mouth, which in many ways may sound as though it is being played on real instruments. Some talented beat boxers sing or rap even while they make a rhythm.

The five elements together are what many perceive as Hip Hop, and they are the pillars of the subculture. However, there are several other things associated with the genre. Clothes and overall appearance are an important part of culture. Elements, context, content and number are often discussed - and originally there were only four elements. These have now grown into seven. For example, knowledge of the sub-culture has been added as an important element.

First MCs were literally typical entertainers, they were able to capture the attention of audiences through their energetic tirade. It should be noted that Jamaica had a similar style of performance that was developed at the turn of the 1960s and 1970s. The popularity of music at these parties meant local DJs could to sell cassettes with recorded live performances, which skillfully mix rhythms and bass lines taken from compositions in the styles of disco and funk over the recited rap. It was purely an amateur occupation, and during that period (1974-1978) no formal releases or studios existed.

The practice of repeating the same instrumental passage became known as the merry go-around. For Herc, the practice was not completely new because it reminded him of the 45 vinyls he often spun in Jamaica. Contemporary rap was known in Jamaica as toasting and was popular among radio deejays, called Selectors which is how they presented themselves and the music they would play.

The group mainly performed with disco artists who belonged to this new type of MC / DJ genre. The name was originally meant a sign of disrespect, but soon moved to refer to this new music and culture. The first breakdancers appeared in 1973 and as if by magic, they routinely managed to solve disputes between gangs. Thus, b-boying really took off in the streets of South Bronx.

The former gang leader set out to clean up all the violence in predominantly black ghettos. The Zulu Nation was a peaceful alternative to violence and gang warfare. He went on to use the energy and passion on something positive instead. For example, through B-Boy competitions. He is also seen as a founding father of underground Hip Hop producers.




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